This last week was absolutely crazy – I filmed my acting/dancing role as Aaliyah on “Resonant Bloom” film by Qinwei Hu and Jingjing Li. Absolute dream of a job with beautiful locations, great crew, brilliant acting partner and a challenging and emotional part.
I also worked as an intimacy coordinator on “Hunger Beneath the Moonlight” film by Francesco Gabriele , such a great team to work with!
Part of the week were also a gig with my band Yavenirie Amok , training my dance solo in a park and a murder mystery event where I played an actress (!) and a suspect in a murder of a famous painter.
Tired but so grateful for a full week of performing.
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I am so happy to announce that I have been cast as Aaliyah in the film Resonant Bloom by Qinwei Hu and Jingjing Li.
Filming is underway in some beautiful locations like the Rose Theatre in Kingston where I get to live my dream of dancing on a big theatre stage. The film should be out later this year.
Big thanks to the producer, director, all the crew and my dancing partner Ruby.
Also another announcement – I am playing with my band Yavenirie Amok our last gig this summer in Biddle Bros in Hackney on the 18th of July. It’s a free entry so please come along if you fancy some original mystery rock music.
I was awarded BEST ACTRESS on Bridge Film Festival in Vancouver in Canada for our film WE GO AGAIN!
Our movie also won Best Feature and Best Screenplay and my acting partner Charlotte Chiew and Annabelle Lanyon won awards for Best Actress and Best Supporting Actress!
I am very happy and proud to be part of this production, well done to all involved and big love to my fellow actresses, actors , our writer and Producer Tom and director Oliver from Jolliffe Productions for making it happen!
We finished The World Of Yesterday play just a week ago and the life is already speeding up, pulling me in so many different directions that it’s hard to stop and reflect on what actually happened that week.
Well we played a show, twice!
The space was small, much smaller than we expected and were used to but we made it work (somehow).
Was it stressful? – obviously.
Was it amazing to be on stage again and become many different characters, and sing and dance, and almost cry, and be part of this moving machine which is the company, even only for one hour – absolutely.
That’s what it’s like in this business.
Often uncomfortable, never perfect, never 100% how we want it to be, always under rehearsed, with lots of pressure, last minute changes and green room dramas.
But we do come back to that place on stage, to that moment, to this feeling. We never have enough of it. Even if we are frustrated – it passes and then we try again and again.
And we dream about big stages with strong lights, full audiences and spatial mirrored changing rooms, we dream about it being our one and only, well paid job.
And we do it underpaid or for free, in tiny cupboard changing rooms, with one mirror for 10 people and one toilet, with 15 minutes at the end for changing, packing costumes and all the set up of the microscopic size stage, we do it anyway, because it’s LOVE.
The World Of Yesterday was a very short meeting of more than 10 talented people with dreams of a life different than their own. People of synchronised passions, of enough space inside themselves to compromise, be patient, let go and handle rejection, and enough energy to keep going, offer their own thoughts and feelings, deal with stress and dramas and still, despite everything, love what they are doing.
Is it incredible ? – yes
Is it impossible? – yes it is.
All actors and other creatives know what I mean but I feel that we are not talking about it enough with the wider public.
With the people who often look at us from an outside, who come and enjoy the show but maybe don’t know exactly how that happens that it comes to life. Who don’t follow us on our every day journey to rehearsals through the chains of tube and trains, through frustration and revelation moments. But mostly trains.
Who often don’t know how many times we wanted to give up, kick this life in a butt and slide into a comfort of a 9-5 bank job.
And how many times we didn’t and all those times made this show happen.
All those times we didn’t give up created a moment for all of us to share on that one evening.
This post was supposed to be about reviews because for many years I chased the reviewers for their feedback, for this star of validation of our temporary creation.
Because I thought that the art to be shown publicly has be GOOD, in opinions of others GOOD. That reviewers needed to like our play, announce it online on their blogs and then it would matter, then we would be welcomed in the circle of artists who are allowed to create MORE.
But that was before, years before even.
Now, after all the effort and life troubles of recent years, I am proud and grateful that we can just DO it, that we can make it happen. I know so many people don’t have that luxury.
Between everyone’s jobs, lack of funding for arts, lack of time and lack of money in people’s pockets to buy a ticket we still managed to create a show in a few months, perform it on a festival and sell it out on the last night.
It’s a success despite what anyone thought about the show. It’s a success because it was made, it had an imprint on our material plane and in people’s minds and hearts and wasn’t, like in so many other cases, just a thought, just an unfulfilled dream and that’s it.
My big and warm thanks to our director Anya Ostrovskaia for making it happen and to all the cast and crew for sticking with her.
British Urban Film Festival Awards evening was very touching and eventful!
Thank you for the invitation and nomination for the Best Script Supervision for our film The Intruders by James Kentfield, so proud of all the cast and crew!!!
Thank you James and Pat for inviting me to come along ♥️♥️♥️
Our film WE GO AGAIN started a festival run with a selection for Direct Monthly Online Film Festival this month 😍 Big thanks to the organisers and well done to all cast and crew 👏👏👏 More festivals coming next year!!!
Today in a beautiful ceremony we said goodbye to dear Johnny Tait who passed away tragically on the 2nd of July.
Johnny was the writer and director of Naked Truth, the last play we worked together on, his passing cut short our big plans to take it to Bedford Fringe, Edinburgh Fringe and West End.
Stage was his huge love and passion but life had other plans, you never know what’s going to happen tomorrow.
Rest In Peace Johnny, thank you for the time we spent together, working on your last play and performing it on stage, grateful to meet you and to work with you. You and your work will never be forgotten!
We paid a tribute to Johnny and his work in my recent interview led by Adrian Doughty – you can watch it here:
Take a look at our beautiful poster for WE GO AGAIN drama feature. The music score and the whole post production is now in the works getting ready for 2025 festivals so watch this space for updates! Written by Tom Jolliffe, Directed by Oliver Jolliffe of Jolliffe Productions With Charlotte Chiew, Annabelle Lanyon, Amy Jim and Nathan Shepka.
From the audition tape to being cast in this political and unapologetic controversial play based on the writings of Stefan Zweig, a play that provokes and rises uncomfortable issues of division, nationalism and hatred that are also so vividly present in our modern times. Come see us!
We wrapped another day of filming of #DJKill in Islington Studios on the hottest day of the year! This time I was doing a movement direction for the fight scenes. It was great to work with our lovely team again Peter Irving, Caroline Oakes, Andrea Rose, Tristan Pretty, DOP Jim Groom and director Anton Makon.
I just got cast in a new theatre project coming to Camden Fringe this August!!! Very happy!
I will reveal all the details together with a poster for my latest film in my tonight’s interview led by Adrian Doughty! Come to YouTube at 8pm tonight everyone!!! Going live in 2 hours! 👇👇👇
This Wednesday the 17th at 8pm Uk time I will be interviewed by Adrian Doughty on The Uk Comedy Chanel. We will talk about my life, my work and we will also pay tribute to late Johnny Tait , writer and director of my last play who had his interview with Adrian just a few weeks ago.
We wrapped the filming on We Go Again drama! Our feature is now going into post production slowly taking its final shape.
It was an amazing experience working with Tom and Oliver Jolliffe @jolliffeproductions and with amazing actresses Charlotte Chiew @charlottechiewvoiceover Annabelle Lanyon @annabellelanyon and Amy Jim @amy.jim.actress .
I feel we really made something special, a story about a relationship but also about a neurodivergent people struggling with life and with each other. Watch this space for more updates.
Zapraszam serdecznie na mój wywiad na żywo 15go Lipca o godzinie 20:00 czasu polskiego (19:00 w Uk) prowadzony przez Sylwię Kaczmarek z Laboratorium Meisnera w którym opowiem o mojej metodzie pracy i zdradze pare sekretów jak buduje postać i przygotowuje się do pracy nad filmem bądź sztuka teatralna.
Ustaw przypomnienie na YouTube 👆
I will have a live interview with Sylwia Kaczmarek from Laboratorium Meisnera in which I will talk about my work and my preparation for the role in film or theatre. I will also share a few tips on how to build the character and work on the script before going on set, stage or filming a self tape.
The interview will be in Polish but will be available to watch with English subtitles shortly after LIVE.
I am very happy to finally share that I have been cast in the lead role of MARIE in “WE GO AGAIN” lgbt drama feature written and produced by Tom Jolliffe and directed by Oliver Jolliffe along my wonderful colleagues Charlotte Chiew, Annabelle Lanyon (Legend by Ridley Scott 👀), Amy Jim and Nathan Shepka.
Filming is underway and should be finished by the end of summer. Truly grateful for this opportunity as I feel we are creating a beautiful and profound story.
“All that life can give a man, has been given to him.He left this country.He has known other realms,the sea, some free existence. Me,I remained here.I remained,small and sullen,in a tedium,buried in the heart of this continent”
Martha,The Misunderstanding by A Camus Come to find out about Martha’s story!
I’m so happy to announce that I have been cast in The Misunderstanding theatre play by AlbertCamus in a role of Martha produced by Theatre Collection company.
I’ve been waiting to play such a good part for a long time, my character has so many layers and the story is dark and deep.
Come to see me and the rest of a great cast on stage on the 19, 20 and 21 July in Etcetera Theatre in Camden, tickets are on sale now 👇
Amazing pictures by Lucyna Kaniecka – @yourphotographerlondon fresh from our adventure in Tenerife!! I really love shooting with Lucy, she can catch the wildness and emotion perfectly!!!
Last week we had another great day of filming #DJKill by #AntonMakon . What a day!!! You can see on those behind the scenes pics that we were in a beautiful studio in @dalstonpier , we had fun but also were very focused and working hard!
I had a pleasure to play Kazimiera – the other one of my double role.
It was as always an honour to work with our amazing cast @carolineoakes1 @drama_cannon @arsandell @eliotjghello @trispretty and my partner in crime @romestewart99 and amazing crew Boyd and Dan
I m working on a new 🎬 character for the #DjKill movie by Anton Makon shooting in April. Meet Kazimiera!
It’s a second character I play in this film (Yes double character treat this time!), I will not reveal how are they existing next to each other because I don’t want to give away the plot BUT! I can say that Kazimiera is very different to my other character Edith 🙂
I have been cast and will have a pleasure to play in Blackout Movie directed by Eddie Saint-Jean :):) Filming starts very soon, can’t wait!!:). I will be playing a ghostly tenant.