The Witcher 4 is out! It was a pleasure to be part of this scene! Very inspiring acting wise and generally fun π
Watch the episode 3 especially, my favourite character of the Priest is doing an amazing job, just like in the books π»
Those 3 days in the fields on Farnham were also incredible because of the beautiful location of Waverley Abbey and itβs famous monastery ruins with an ancient tree. Unforgettable memories !
I am so happy to announce that I have been cast as Aaliyah in the film Resonant Bloom by Qinwei Hu and Jingjing Li.
Filming is underway in some beautiful locations like the Rose Theatre in Kingston where I get to live my dream of dancing on a big theatre stage. The film should be out later this year.
Big thanks to the producer, director, all the crew and my dancing partner Ruby.
Also another announcement – I am playing with my band Yavenirie Amok our last gig this summer in Biddle Bros in Hackney on the 18th of July. Itβs a free entry so please come along if you fancy some original mystery rock music.
Finally a thorough and in-depth review of our show The World Of Yesterday. I wasnβt even surprised when I read it and saw that the reviewer from the Eastern European Arts platform Izba Arts, on the contrary to many others that came to see our show, was not confused, surprised and resentful by our show but approached it with curiosity, open mind and experience and knowledge of a different types of theatre making.
Eastern European influenced theatre differs greatly from the Western, especially British one and what I often came across in my own as well as other Eastern European theatre works is this incomprehension of the ways itβs made and tools that are chosen to make it. If the story is non linear, even a little bit surreal and varies from a typical script-based story telling it is met with bewilderment and often dismissed. I blame the lack of context, especially historical, cultural but also perhaps low exposure to variety of theatre making in a whole world which would loosen a bit the traditional format through which the Eastern European creators are perceived.
The differences between the Eastern and Western European theatre and the reasons for it are a great subject for a next blog post which is coming shortly so watch this space.
We finished The World Of Yesterday play just a week ago and the life is already speeding up, pulling me in so many different directions that itβs hard to stop and reflect on what actually happened that week.
Well we played a show, twice!
The space was small, much smaller than we expected and were used to but we made it work (somehow).
Was it stressful? – obviously.
Was it amazing to be on stage again and become many different characters, and sing and dance, and almost cry, and be part of this moving machine which is the company, even only for one hour – absolutely.
Thatβs what itβs like in this business.
Often uncomfortable, never perfect, never 100% how we want it to be, always under rehearsed, with lots of pressure, last minute changes and green room dramas.
But we do come back to that place on stage, to that moment, to this feeling. We never have enough of it. Even if we are frustrated – it passes and then we try again and again.
And we dream about big stages with strong lights, full audiences and spatial mirrored changing rooms, we dream about it being our one and only, well paid job.
And we do it underpaid or for free, in tiny cupboard changing rooms, with one mirror for 10 people and one toilet, with 15 minutes at the end for changing, packing costumes and all the set up of the microscopic size stage, we do it anyway, because itβs LOVE.
The World Of Yesterday was a very short meeting of more than 10 talented people with dreams of a life different than their own. People of synchronised passions, of enough space inside themselves to compromise, be patient, let go and handle rejection, and enough energy to keep going, offer their own thoughts and feelings, deal with stress and dramas and still, despite everything, love what they are doing.
Is it incredible ? – yes
Is it impossible? – yes it is.
All actors and other creatives know what I mean but I feel that we are not talking about it enough with the wider public.
With the people who often look at us from an outside, who come and enjoy the show but maybe donβt know exactly how that happens that it comes to life. Who donβt follow us on our every day journey to rehearsals through the chains of tube and trains, through frustration and revelation moments. But mostly trains.
Who often donβt know how many times we wanted to give up, kick this life in a butt and slide into a comfort of a 9-5 bank job.
And how many times we didnβt and all those times made this show happen.
All those times we didnβt give up created a moment for all of us to share on that one evening.
This post was supposed to be about reviews because for many years I chased the reviewers for their feedback, for this star of validation of our temporary creation.
Because I thought that the art to be shown publicly has be GOOD, in opinions of others GOOD. That reviewers needed to like our play, announce it online on their blogs and then it would matter, then we would be welcomed in the circle of artists who are allowed to create MORE.
But that was before, years before even.
Now, after all the effort and life troubles of recent years, I am proud and grateful that we can just DO it, that we can make it happen. I know so many people donβt have that luxury.
Between everyoneβs jobs, lack of funding for arts, lack of time and lack of money in peopleβs pockets to buy a ticket we still managed to create a show in a few months, perform it on a festival and sell it out on the last night.
Itβs a success despite what anyone thought about the show. Itβs a success because it was made, it had an imprint on our material plane and in peopleβs minds and hearts and wasnβt, like in so many other cases, just a thought, just an unfulfilled dream and thatβs it.
My big and warm thanks to our director Anya Ostrovskaia for making it happen and to all the cast and crew for sticking with her.
One of the roles I am playing in the wartime drama The World Of Yesterday is Theodor Herzl, come to see us perform for just 2 more evenings at The Courtyard Theatre, part of The Camden Fringe, donβt miss it! Pictures by Lucyna Kaniecka
From the audition tape to being cast in this political and unapologetic controversial play based on the writings of Stefan Zweig, a play that provokes and rises uncomfortable issues of division, nationalism and hatred that are also so vividly present in our modern times. Come see us!
I just got cast in a new theatre project coming to Camden Fringe this August!!! Very happy!
I will reveal all the details together with a poster for my latest film in my tonightβs interview led by Adrian Doughty! Come to YouTube at 8pm tonight everyone!!! Going live in 2 hours! πππ
Last Saturdayβs show of Naked Truth in Welwyn Civic Centre was a huge success! Almost sold out, full audience and well received! Check out great pictures below!!
βAll that life can give a man, has been given to him.He left this country.He has known other realms,the sea, some free existence. Me,I remained here.I remained,small and sullen,in a tedium,buried in the heart of this continentβ
Martha,The Misunderstanding by A Camus Come to find out about Marthaβs story!
Last week we had another great day of filming #DJKill by #AntonMakon . What a day!!! You can see on those behind the scenes pics that we were in a beautiful studio in @dalstonpier , we had fun but also were very focused and working hard!
I had a pleasure to play Kazimiera – the other one of my double role.
It was as always an honour to work with our amazing cast @carolineoakes1 @drama_cannon @arsandell @eliotjghello @trispretty and my partner in crime @romestewart99 and amazing crew Boyd and Dan
I m working on a new π¬ character for the #DjKill movie by Anton Makon shooting in April. Meet Kazimiera!
Itβs a second character I play in this film (Yes double character treat this time!), I will not reveal how are they existing next to each other because I donβt want to give away the plot BUT! I can say that Kazimiera is very different to my other character Edith π