My agent is sadly closing doors of her agency so I had to jump ship pretty quickly 👀.
In this industry you never know what will happen tomorrow. You think you have a solid agent one day and the next they have to close business because it’s so tough out there and you have 2 weeks to find a new agent….
I am very grateful to Mel from Chaos Acting Management for all her hard work and her coaching and support. That’s what happens quite often in this industry – a change. We need to be ready for it.
But this time also the situation is teaching me something new. Last time when I left my agent in very different circumstances I was in a state of panic, I felt like a failure and from this space of mind I sent almost 100 emails looking for a new representation and I had NO positive response. Mel responded to my pity-post on Twitter 🙂 and took me in. I was so grateful because she was the only one who decided to give me a chance in that moment and it helped me just feel better about myself and the industry as a whole.
This time was completely different. From the moment I heard the agency is closing I felt that it’s gonna be alright 💚. I sent around 10 emails and although no one responded I still felt it’s fine and it will resolve itself somehow. Then the day before agency closing came and my dear friend (thank you 💜) when heard I m still without new representation offered to contact his agent. The next day I got signed, it took a 1-minute phone call :-). So I didn’t even miss a day.
Different mindset 👉different results.
I am now represented by Imperial Artists Agency, very honoured to be part of the team and to have Robert as my agent 🥰🥰🥰.
Feeling also very grateful for this smooth transition and looking forward to new adventures 🙏💚💜🖤
Finally a thorough and in-depth review of our show The World Of Yesterday. I wasn’t even surprised when I read it and saw that the reviewer from the Eastern European Arts platform Izba Arts, on the contrary to many others that came to see our show, was not confused, surprised and resentful by our show but approached it with curiosity, open mind and experience and knowledge of a different types of theatre making.
Eastern European influenced theatre differs greatly from the Western, especially British one and what I often came across in my own as well as other Eastern European theatre works is this incomprehension of the ways it’s made and tools that are chosen to make it. If the story is non linear, even a little bit surreal and varies from a typical script-based story telling it is met with bewilderment and often dismissed. I blame the lack of context, especially historical, cultural but also perhaps low exposure to variety of theatre making in a whole world which would loosen a bit the traditional format through which the Eastern European creators are perceived.
The differences between the Eastern and Western European theatre and the reasons for it are a great subject for a next blog post which is coming shortly so watch this space.
We finished The World Of Yesterday play just a week ago and the life is already speeding up, pulling me in so many different directions that it’s hard to stop and reflect on what actually happened that week.
Well we played a show, twice!
The space was small, much smaller than we expected and were used to but we made it work (somehow).
Was it stressful? – obviously.
Was it amazing to be on stage again and become many different characters, and sing and dance, and almost cry, and be part of this moving machine which is the company, even only for one hour – absolutely.
That’s what it’s like in this business.
Often uncomfortable, never perfect, never 100% how we want it to be, always under rehearsed, with lots of pressure, last minute changes and green room dramas.
But we do come back to that place on stage, to that moment, to this feeling. We never have enough of it. Even if we are frustrated – it passes and then we try again and again.
And we dream about big stages with strong lights, full audiences and spatial mirrored changing rooms, we dream about it being our one and only, well paid job.
And we do it underpaid or for free, in tiny cupboard changing rooms, with one mirror for 10 people and one toilet, with 15 minutes at the end for changing, packing costumes and all the set up of the microscopic size stage, we do it anyway, because it’s LOVE.
The World Of Yesterday was a very short meeting of more than 10 talented people with dreams of a life different than their own. People of synchronised passions, of enough space inside themselves to compromise, be patient, let go and handle rejection, and enough energy to keep going, offer their own thoughts and feelings, deal with stress and dramas and still, despite everything, love what they are doing.
Is it incredible ? – yes
Is it impossible? – yes it is.
All actors and other creatives know what I mean but I feel that we are not talking about it enough with the wider public.
With the people who often look at us from an outside, who come and enjoy the show but maybe don’t know exactly how that happens that it comes to life. Who don’t follow us on our every day journey to rehearsals through the chains of tube and trains, through frustration and revelation moments. But mostly trains.
Who often don’t know how many times we wanted to give up, kick this life in a butt and slide into a comfort of a 9-5 bank job.
And how many times we didn’t and all those times made this show happen.
All those times we didn’t give up created a moment for all of us to share on that one evening.
This post was supposed to be about reviews because for many years I chased the reviewers for their feedback, for this star of validation of our temporary creation.
Because I thought that the art to be shown publicly has be GOOD, in opinions of others GOOD. That reviewers needed to like our play, announce it online on their blogs and then it would matter, then we would be welcomed in the circle of artists who are allowed to create MORE.
But that was before, years before even.
Now, after all the effort and life troubles of recent years, I am proud and grateful that we can just DO it, that we can make it happen. I know so many people don’t have that luxury.
Between everyone’s jobs, lack of funding for arts, lack of time and lack of money in people’s pockets to buy a ticket we still managed to create a show in a few months, perform it on a festival and sell it out on the last night.
It’s a success despite what anyone thought about the show. It’s a success because it was made, it had an imprint on our material plane and in people’s minds and hearts and wasn’t, like in so many other cases, just a thought, just an unfulfilled dream and that’s it.
My big and warm thanks to our director Anya Ostrovskaia for making it happen and to all the cast and crew for sticking with her.
Last show of The World Of Yesterday is done!! Thank you everyone for coming to watch us ♥️ Special thanks to my friends Malwina and John who came to support me despite the cold weather and middle of the week kind of evening.
Big thanks to the whole amazing cast Adam Hypki, Zora Owen, Yanina Hope, Abraham Kleinman, Tanya Lyalina, Pini Brown and our director Anya Ostrovskaia, producer Jack Carr, designer Shahaf Beer, movement director Mari Camiloti, costume designer Carolyn Corben and photographers Valya Korabelnikova and Lucyna Kaniecka.
Also thank you Paulina Palian Design for the beautiful dress that I am wearing in the show.
I am very grateful for the opportunity to Voila Festival for choosing our show, that was my first time performing as part of the festival and also first time in Camden’s People Theatre.
It was a pleasure working with you all!
I am not sure what are the further plans for the play but I will keep you updated if there are any more performances.
Last two shows of THE WORLD OF YESTERDAY directed by Anya Ostrovskaia are coming to Camden’s People Theatre as part of the Voila Festival on the 19th and 20th of November at 7pm, tickets are almost gone so if you want to come better hurry and get them now 🙂
We are back with The World Of Yesterday by Anya Ostrovskaia in Camden’s People Theatre on Voila Fest on the 19th and 20th of November, get your tickets now if you want to see our show!
One of the roles I am playing in the wartime drama The World Of Yesterday is Theodor Herzl, come to see us perform for just 2 more evenings at The Courtyard Theatre, part of The Camden Fringe, don’t miss it! Pictures by Lucyna Kaniecka
I recorded this song with my band Yavenirie Amok Singing: Zuza Tehanu, Guitar: Tomasz Brajter, Drums: Jan Folga, lyrics based on writing of Stefan Zweig, Eastern European arranged folk song
We are performing The World Of Yesterday in 3 days!!!
Come to The Courtyard Theatre on the 20-25 at 6pm to find out what is this all about.
Today in a beautiful ceremony we said goodbye to dear Johnny Tait who passed away tragically on the 2nd of July.
Johnny was the writer and director of Naked Truth, the last play we worked together on, his passing cut short our big plans to take it to Bedford Fringe, Edinburgh Fringe and West End.
Stage was his huge love and passion but life had other plans, you never know what’s going to happen tomorrow.
Rest In Peace Johnny, thank you for the time we spent together, working on your last play and performing it on stage, grateful to meet you and to work with you. You and your work will never be forgotten!
We paid a tribute to Johnny and his work in my recent interview led by Adrian Doughty – you can watch it here:
From the audition tape to being cast in this political and unapologetic controversial play based on the writings of Stefan Zweig, a play that provokes and rises uncomfortable issues of division, nationalism and hatred that are also so vividly present in our modern times. Come see us!
If that’s not going to bring you to our show then I don’t know what will! The Assassin is waiting for you along the rest of the characters of Naked Truth play on the 4th of May in Welwyn Civic Centre, we are opening at 7pm and there are still some tickets left.
It’s only 30min by train from Kings Cross so come along to the beautiful countryside to watch our dark comedy about a modern celebrity culture before we go to Edinburgh Fringe.
So much is happening right now! Our play Naked Truth is opening on the 4th of May in Welwyn Civic Centre and here is a nice little article about us in Welwyn Hatfield Times 😊
Also there will be an appearance of our writer/director Johnny Tait on BBC3 radio this Friday the 19th at 8:20am where he will be chatting about the play and our future plans for it so tune in and buy your ticket if you want to see us before we go to Edinburgh Fringe 🙂
I am absolutely amazed to finally announce that I have been cast as The Assassin in “Naked Truth” play written by Johnny Tait.
The rehearsals are underway and after the first shows in Welwyn Civic Centre on the 4th and 23nd June and on Bedford Fringe 22,23 July we are taking the play to Edinburgh Fringe performing 4th – 11th August! My summer is sorted!
Very happy to work with the whole lovely cast and our writer/director.
Zuza Tehanu 